Skip to main content

Book Review: The Tao of Gung Fu

Train as you fight vs deliberate practice

The following extended quote is from Think Like a Commander, the US Army's guide to Adaptive Thinking.  It's a nice exploration of a big aspect of what kata can be -- deliberate practice -- arguably the most effective tool (although not the only one!) in the development of technical expertise.
Train As You Fight versus Deliberate Practice

The maxim "train as you fight" has risen to such a level of familiarity in the U.S. Army that the value of the notion goes almost unquestioned. Yet studies of the development of expertise clearly indicate that "as you fight" meaning performing in fully realistic simulated battles is neither the most effective nor efficient method of developing expertise. Such "performances" can help a novice become acquainted with applying military knowledge, and can reinforce existing knowledge in an experienced person, but will not in and of themselves lead to the development of expertise. In many fields where expertise has been systematically studied, including chess, music and sports, development beyond advanced novice level requires large amounts of deliberate practice (Ericsson, Krampe & Tesch-Roemer, 1993) and good coaching (Ericsson, 1996; Chamess, Krampe & Mayr, 1996). The combination of long periods of study, relatively few chances to practice, and little or no deliberate practice with quality coaching has led to a situation in the army where most officers can talk an excellent battle command game, but reveal only an amateurish effort in actual performance. How does deliberate practice differ Irom performance or from casual exercise? Here are some characteristics that distinguish deliberate practice.

1. Repetition. Task performance occurs repetitively rather than at its naturally occurring frequency. A goal of deliberate practice is to develop habits that operate expertly and automatically. If appropriate situations occur relatively infrequently or widely spaced apart while performing "as you fight" they will not become habitual as readily.

2. Focused feedback. Task performance is evaluated by the coach or learner during performance. There is a focus on elements of form, critical parts of how one does the task. During an "as you fight" performance these elements appear in a more holistic fashion.

3. Immediacy of performance. After corrective feedback on task performance there is an immediate repetition so that the task can be performed more in accordance with expert norms. When there is feedback during "train as you fight" performance, it is often presented during an after-action review (AAR) and there is usually not an opportunity to perform in accordance with the feedback for some time.

4. Stop and start. Because of the repetition and feedback, deliberate practice is typically seen as a series of short performances rather than a continuous flow.

5. Emphasis on difficult aspects. Deliberate practice will focus on more difficult aspects. For example, when flying an airplane normally only a small percentage of one's flight time is consumed by takeoffs and landings. In deliberate practice simulators, however, a large portion ofthe time will be involved in landings and takeoffs and relatively little in steady level flight. Similarly, rarely occurring emergencies can be exercised very frequently in deliberate practice.

6. Focus on areas of weakness. Deliberate practice can be tailored to the individual and focused on areas of weakness. During "train as you fight" performances the individual will avoid situations in which he knows he is weak, and rightly so as there is a desire to do one's best.

7. Conscious focus. Expert behavior is characterized by many aspects being performed with little conscious effort. Such automatic elements have been built from past performances and constitute skilled behavior. In fact, normally, when the expert consciously attends to the elements, performance is degraded. In deliberate practice the learner may consciously attend to the element because improving performance at the task is more important in this situation than performing one's best. After a number of repetitions attending to the element to assure that it is performed as desired, the learner resumes performing without consciously attending to the element.

8. Work vs. play. Characteristically, deliberate practice feels more like work and is more effortful than casual performance. The motivation to engage in deliberate practice generally comes from a sense that one is improving in skill.

9. Active coaching. Typically a coach must be very active during deliberate practice, monitoring performance, assessing adequacy, and controlling the structure of training. Typically in "train as you fight" performances there are no coaches, instead there are observers/controllers who attempt to interfere as little as possible in the performance. 

Comments

Popular posts from this blog

10 favorite sayings of Confucius

From the numerous sayings attributed to the ancient Chinese sage, Confucius : "Our greatest glory is not in never falling, but in rising every time we fall." "It does not matter how slowly you go so long as you do not stop." "The cautious seldom err." "A person who has committed a mistake and doesn't correct it, is committing another mistake." "Hold faithfulness and sincerity as first principles." "By nature, people are nearly alike; by practice, they get to be wide apart." "I hear and I forget. I see and I remember. I do and I understand." "Respect yourself and others will respect you." "Every truth has four corners: as a teacher I give you one corner, and it is for you to find the other three." "Wherever you go, go with all your heart." And here's a selection of  Confucius jokes like the ones we used to tell in high school.

The ancient art of Ti Kwan Leap: Boot to the Head!

A very nice re-enactment of the classic "Ti Kwan Leap" sketch -- the original soundtrack is by the Canadian comedy troupe The Frantics -- that I spotted on Wim de Meere's blog : And if you think that "too much ti kwan leap is barely enough", here's a realization of the catchy follow-up song, "Boot to the Head": Now, "Let us meditate..."

Kung Fu animals

Many styles of Chinese Boxing (aka kung fu or gong fu ) have origin stories based around the observation of animal movements and fighting styles. This notion has been popularized in the Kung Fu Panda animated movie and its sequels. Many kung fu styles incorporate aspects of multiple animals, with specific animals identified with specific techniques, or entire "sets" taken to embody a particular of mindset and/or physical characteristics In drawing on the animal heritage of kung fu it is helpful to learn more about the nature of the animals in question. Ways to do so include: Visiting a zoo for direct observation Watching nature documentaries and clips Learning about the cultural significance of the animals And, of course, go practice and pay attention to what you find! * * * In Hung Kuen chinese boxing (and other styles) the main five animals are: Tiger (trains bones): sheer power, prowling, connection to the Earth, ultimate predator, claws Crane (sinews): balance and gr...

Recommended For You...